Before the premiere, the conductor Doret spent hours going over the score with the composer Debussy made changes until virtually the last moment, and it was reported that at the first performance, “the horns were appalling, and the rest of the orchestra were hardly much better.” But nothing about the performance seems to have diminished the work’s success. During the period of composition, the work was announced in both Paris and Brussels as Prélude, Interludes et Paraphrase finale pour l’Après-midi d’un faune, but there is no evidence at present to suggest that anything but the Prelude ever came near finished form. Debussy began his work in 1892 and completed the full score on October 23, 1894. There is evidence to suggest that Debussy’s Prelude represents the end product of what was originally planned as a score of incidental music to accompany a reading, or perhaps even a dramatized staging, of the poet Stéphane Mallarmé’s eclogue, L’Après-midi d’un faune. With his Prelude, Debussy established himself as a composer for orchestra not just with the membership of the Society: a repeat performance of the entire program was given the day after the premiere, with the Society’s doors opened for the first time to the general public. The occasion was Debussy’s first great triumph, and the Faun remains, along with La Mer (1903-05), one of the composer’s best-known and most popular works for orchestra. Though the critics were divided in their response to Debussy’s Prélude à l’Après-midi d’un faune following its premiere on December 22, 1894, by the Société Nationale de Musique in Paris under the direction of Swiss conductor Gustave Doret, the audience’s reaction was unequivocal: the piece was encored. ![]() The BSO under Jacques Lacombe gave the most recent Tanglewood performance, on July 9, 2016. Serge Koussevitzky led the piece at the pre-Tanglewood Berkshire Symphonic Festival August 15, 1936, and the first Tanglewood performance on August 13, 1939. The first BSO performance was in December 1904, Wilhelm Gericke conducting. The first performance took place December 22, 1894, Paris, at the Société Nationale de Musique, Gustave Doret conducting. The conductor Sir Antonio Pappano knows this better than anyone – it promises to make for an unforgettable concert.Composition and premiere: Debussy began writing the piece in 1892 and completed it two years later, in October 1894. You know just how contagious musicians’ joy of performing can be. It’s almost as if you can touch and feel these exotic worlds listening to his music.Ī programme like this lets an orchestra show off its best side: there are special effects and timbres for nearly every instrument. In his eerily beautifully orchestrated music, fairy tales come to life. Maurice Ravel, too, was a true magician when it came to composition. ![]() It’s extraordinary, sensual music which is certainly comparable to Claude Debussy’s.ĭebussy’s Ibéria is a lively and colourful portrait of a romanticised Spain complete with market scenes, sweltering summer nights and exuberant village festivals. The fascinating worlds which Szymanowski found in North Africa and the Middle East can be heard here in the graceful interplay of lines, dreaminess and sultry atmosphere. Under the baton of Sir Antonio Pappano, she shines in Szymanowski’s Violin Concerto No. 1, a brilliant work with hints of the East. ![]() Star violinist Lisa Batiashvili has performed on multiple occasions as soloist with the Concertgebouworkest.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |